SSL to showcase new products at AES 2008
Tuesday September 30, 2008. 10:50 AM | AES125 > Audio Hardware > Solid State Logic |
SSL's modular X-Rack/Mynx SuperAnalogue mixing and processing system receives two new additions to the range of modules available. The new modules lovingly reproduce the legendary sonic signature of the early 80's classic, the SSL 4000 E console channel strip that featured so heavily on countless 1980's recordings.
The E Series EQ Module features both of the EQ characteristics found on the classic 4000 E; the uniquely smooth 'Brown' EQ response characteristics and the sharper 'Black' response curves. The 'Brown' EQ sound was featured on the recently discontinued SSL E-Signature Channel Strip so is now uniquely available on the E Series EQ Module.
The E Series Dynamics Module features a Compressor/Limiter and an Expander/Gate, both of which return faithfully to the circuitry and key components which defined the sound of the original SL 611E Series channel strip. A true RMS converter is used in the side chain whilst the gain element is an all discrete design identical to the Class A VCA chip used in the original unit. The compressor contains additional switching options to defeat the over-easy curve and to use a linear release instead of the more usual logarithmic curve. The result is a compressor with three distinct voices, each with its own musical character.
The E Series EQ Module features both of the EQ characteristics found on the classic 4000 E; the uniquely smooth 'Brown' EQ response characteristics and the sharper 'Black' response curves. The 'Brown' EQ sound was featured on the recently discontinued SSL E-Signature Channel Strip so is now uniquely available on the E Series EQ Module.
The E Series Dynamics Module features a Compressor/Limiter and an Expander/Gate, both of which return faithfully to the circuitry and key components which defined the sound of the original SL 611E Series channel strip. A true RMS converter is used in the side chain whilst the gain element is an all discrete design identical to the Class A VCA chip used in the original unit. The compressor contains additional switching options to defeat the over-easy curve and to use a linear release instead of the more usual logarithmic curve. The result is a compressor with three distinct voices, each with its own musical character.
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