Soundcraft Si3
Monday August 25, 2008. 11:02 AM | Audio Hardware > Soundcraft |
Currently riding high with tours and engineers thanks to the incredible success of the Vi Series digital consoles, Soundcraft has launched a mid-market partner console in the Soundcraft Si3. This new desk is designed for live use on both touring sound systems and in fixed installations.
This compact footprint desk can directly handle 64 mono inputs, 4 stereo inputs and has full connectivity for all 35 output busses (24 Aux/Group, 8 Matrix and Left/Right/Centre mix buses). Add to this 4 Lexicon effects processors, 12 VCA groups, 8 Mute groups and bar graph metering for all 35 bus outputs and you begin to see what a package the Si3 is.
With the Si3, Soundcraft has revisited the control topology employed on the Spirit 328 and 324 digital consoles. The model is this - above each fader is a rotary encoder, the function of which changes according to the mode selected. This 'bank' of encoders, known as the VCS or Virtual Channel Strip can be set to control every function of a channel (known as Channel mode), so mic gain, EQ, dynamics, auxes, panning are all controlled as if you had a normal analogue channel strip laid sideways in front of you. The VCS also incorporates all the switching you would find on an individual analogue channel strip (48v, Phase Reverse, EQ In etc.). Alternatively, in what is called Global mode, each encoder controls the same function for each channel. So, for example, the encoders could control all the mic gains, pans or a chosen Aux bus (very useful for creating monitor mixes).
This compact footprint desk can directly handle 64 mono inputs, 4 stereo inputs and has full connectivity for all 35 output busses (24 Aux/Group, 8 Matrix and Left/Right/Centre mix buses). Add to this 4 Lexicon effects processors, 12 VCA groups, 8 Mute groups and bar graph metering for all 35 bus outputs and you begin to see what a package the Si3 is.
With the Si3, Soundcraft has revisited the control topology employed on the Spirit 328 and 324 digital consoles. The model is this - above each fader is a rotary encoder, the function of which changes according to the mode selected. This 'bank' of encoders, known as the VCS or Virtual Channel Strip can be set to control every function of a channel (known as Channel mode), so mic gain, EQ, dynamics, auxes, panning are all controlled as if you had a normal analogue channel strip laid sideways in front of you. The VCS also incorporates all the switching you would find on an individual analogue channel strip (48v, Phase Reverse, EQ In etc.). Alternatively, in what is called Global mode, each encoder controls the same function for each channel. So, for example, the encoders could control all the mic gains, pans or a chosen Aux bus (very useful for creating monitor mixes).
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