Mac and Music News
Oct 19 - 04:59 PM | Audio Hardware > Neumann |
The newly developed sound transducer, inspired by one of Neumann’s top-of-the-line microphones, the D-01, is impressive with its outstanding impulse fidelity. The great consistency of the five polar patterns, omnidirectional, cardioid and figure-8, with the intermediate patterns wide-angle cardioid and hypercardioid, is also unusual for a large-diaphragm capsule. The TLM 107 provides optimal sound not only for the cardioid setting; it also ensures maximum precision over the entire frequency range for all of the other directional characteristics. The sound always remains balanced, with an almost linear reproduction up to 8 kHz, and a slight boost in the highest frequencies that lends presence and freshness to the voice. Here particular attention has been paid to the natural reproduction of speech sounds, especially the critical “s” sound. The grille is acoustically optimized for low sensitivity to pop sounds. In addition, the sound transducer is edge-terminated, with both diaphragms at ground voltage. Specifically, this ensures considerably reduced sensitivity to dust and humidity.
No-Compromise Sound Design
Transformerless circuitry permits a high degree of linearity and a large dynamic range. The self-noise of only 10 dB-A is practically inaudible, while at the same time, the TLM 107 features high level stability. The maximum sound pressure level of 141 dB SPL can be increased to 153 dB SPL via pre-attenuation (Pad). This enables the TLM 107 to transmit the sound of even the loudest instruments without distortion. The Low Cut settings of Linear, 40 Hz, and 100 Hz are precisely adapted to practical recording situations. Without side effects, the 40 Hz setting cuts interference noise below the range of fundamental tones (where 41 Hz is the frequency of the double bass open E string), while the 100 Hz setting is optimized for speech and vocals (where 100 Hz corresponds to the lowest notes of a baritone).
No-Compromise Sound Design
Transformerless circuitry permits a high degree of linearity and a large dynamic range. The self-noise of only 10 dB-A is practically inaudible, while at the same time, the TLM 107 features high level stability. The maximum sound pressure level of 141 dB SPL can be increased to 153 dB SPL via pre-attenuation (Pad). This enables the TLM 107 to transmit the sound of even the loudest instruments without distortion. The Low Cut settings of Linear, 40 Hz, and 100 Hz are precisely adapted to practical recording situations. Without side effects, the 40 Hz setting cuts interference noise below the range of fundamental tones (where 41 Hz is the frequency of the double bass open E string), while the 100 Hz setting is optimized for speech and vocals (where 100 Hz corresponds to the lowest notes of a baritone).
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Oct 19 - 03:14 PM | Audio Hardware > TC Electronic |
Entering the market in 1999, the original System 6000 soon became an industry standard for reverb and dynamics processing.
However, TC Electronic has continued to develop new algorithms for the platform and today it offers a very wide palette of tools for all audio professionals. In 2010, an updated MKII version was released and based on this stellar hardware reincarnation; the new Music 6000, Film 6000, Mastering 6000 and Broadcast 6000 set out to reinforce the System 6000 MKII platform even further as the industry-standard processor in pro audio.
With no less than 42 algorithms in the arsenal, System 6000 MKII can be designed to solve virtually any task in pro audio.
However, TC Electronic has continued to develop new algorithms for the platform and today it offers a very wide palette of tools for all audio professionals. In 2010, an updated MKII version was released and based on this stellar hardware reincarnation; the new Music 6000, Film 6000, Mastering 6000 and Broadcast 6000 set out to reinforce the System 6000 MKII platform even further as the industry-standard processor in pro audio.
With no less than 42 algorithms in the arsenal, System 6000 MKII can be designed to solve virtually any task in pro audio.
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Oct 19 - 01:12 PM | Audio Hardware > Audio-Technica |
Audio-Technica is debuting its BP894 MicroSet® Subminiature Cardioid Condenser Headworn Microphone. Inspired by A-T’s popular BP892 MicroSet, the BP894 features a rotating capsule housing with talk-side indicator for use on either ear and perfect polar pattern placement. The MicroSet BP894 takes headworn microphones to the next level, by allowing the cardioid capsule to be aimed directly at the sound source (i.e. the microphone faces the mouth, rather than facing forward like other options on the market). The uniform pickup pattern provides excellent rejection of outside noise, with exceptional gain-before-feedback when used with live sound systems and stage monitors.
Featuring an inconspicuous and ergonomic design, the BP894 MicroSet (available in black and theater beige) rests comfortably behind the ear and can be worn for hours without fatigue. Its contoured earpiece stays in place even on the most animated performer/presenter and does not interfere with the user's eyeglasses. The BP894 comes with the AT8464 Dual-Ear Microphone Mount which can be attached to provide maximum stability. The microphone provides superior intelligibility and clean, accurate reproduction for the most demanding church/house of worship user, lecturer, broadcaster or theater performer. With its high-SPL capability (135 dB), it is particularly ideal for high-volume motivational speakers/lecturers, pastors and stage actors. Frequency response is 20Hz to 20kHz.
Featuring an inconspicuous and ergonomic design, the BP894 MicroSet (available in black and theater beige) rests comfortably behind the ear and can be worn for hours without fatigue. Its contoured earpiece stays in place even on the most animated performer/presenter and does not interfere with the user's eyeglasses. The BP894 comes with the AT8464 Dual-Ear Microphone Mount which can be attached to provide maximum stability. The microphone provides superior intelligibility and clean, accurate reproduction for the most demanding church/house of worship user, lecturer, broadcaster or theater performer. With its high-SPL capability (135 dB), it is particularly ideal for high-volume motivational speakers/lecturers, pastors and stage actors. Frequency response is 20Hz to 20kHz.
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Oct 19 - 08:52 AM | Plug-ins > Sound Radix |
SoundRadix announces 32 Lives Release Candidate 1 Version 0.9.11
Some new features and fixed bugs:
- Fix bug introduced in version 0.9.10 affecting Luxonix LFX-1310
- Fix problem affecting GFORCE Software ImpOSCar 1
- Fix problem affecting TC Electronic UnWrap
- Fix crash occurring when plugins fail to load (due to disconnected hardware etc.)
- Keyboard events are now passed to host
- Plugin window position tracks host window while dragging
- Plugin windows hide properly
- Performance improvements.
Some new features and fixed bugs:
- Fix bug introduced in version 0.9.10 affecting Luxonix LFX-1310
- Fix problem affecting GFORCE Software ImpOSCar 1
- Fix problem affecting TC Electronic UnWrap
- Fix crash occurring when plugins fail to load (due to disconnected hardware etc.)
- Keyboard events are now passed to host
- Plugin window position tracks host window while dragging
- Plugin windows hide properly
- Performance improvements.
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Oct 19 - 04:22 AM | Virtual Instrument > Soundprovocation |
Soundprovocation launches ""Eccentric Grooves", a library of percussive loops and other sounds, made from a wide variety of newly recorded and tweaked household, street, and factory sounds mixed with some spicy audio material generated using electronic and experimental sound equipment.
The library contains:
- 70 loop construction kits
- 369 loops in total
- 285 single shots
- 10 percussive Eccentric Kits
Audio format: 24 bit 41.1 kHz.
Total library size: 1.06 GB
Available Loop formats:
WAV/ACID (.wav, 415 MB) Apple Loops (.aiff, 415 MB) REX (.rx2, 196 MB)
Available formats of Eccentric Kits:
Battery (version 3.2.3 or later) Kontakt (version 4.2.4 or later) EXS24, NNXT (version 3.0.5 or later).
The library contains:
- 70 loop construction kits
- 369 loops in total
- 285 single shots
- 10 percussive Eccentric Kits
Audio format: 24 bit 41.1 kHz.
Total library size: 1.06 GB
Available Loop formats:
WAV/ACID (.wav, 415 MB) Apple Loops (.aiff, 415 MB) REX (.rx2, 196 MB)
Available formats of Eccentric Kits:
Battery (version 3.2.3 or later) Kontakt (version 4.2.4 or later) EXS24, NNXT (version 3.0.5 or later).
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