Mac and Music News
Through Friday March 29, 2013
Feb 28 - 11:56 AM | Virtual Instrument > Zenhiser Pro Audio |
The first section comprises of shuddering rises, reverse sweeps, bass fx hits, noted reverb tails, shining bell fx, sharp drops, evolving risers, space echoes and a whole chunk more fx sounds. The second section comprises of bpm fx loops including manipulated glitch patterns, morphing bass synth loops, hammer fx, arpeggiated synth masters, futuristic rhythmic elevations, whipping fx sweepers and again a whole chunk more fx loops.
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Feb 28 - 09:42 AM | Virtual Instrument > UVI |
Explore the included sounds or design your own patches from scratch through an immaculately prepared UI. Take your sound design even further with the wide range of effects available in the industry leading UVI Engine.
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Feb 27 - 09:22 PM | Music Software > Audiofile Engineering |
Sonic adventures – always in tune
Build sonic universes from your own voice. The innovative audio engine behind Vio goes far beyond existing voice effects to create novel, futuristic vocal styles. Vio's sound spaces vary in character from edgy and energetic to mellow and relaxing. Vio surprises and inspires your creativity: you may not intend to do something, and it comes out cool. Whether you are an amateur or seasoned professional, Vio's pitch correction technology ensures that everyone sounds in tune and is beautifully harmonized.
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Feb 27 - 03:05 PM | Virtual Instrument > Arturia |
Moog changed the musical world with the Minimoog and Arturia helped change the music software world with the Mini V.
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Feb 27 - 11:52 AM | Virtual Instrument > Time + Space |
This virtual instrument features a variety of harps including Salvi Pedal, Venus Concert Grand and Lyon & Healy as well as a host of special features that deliver an unprecedented level of realism. Encompassing advanced glissando emulation, sampled acoustic spaces, and much more, Garritan Harps gives musicians, composers and producers the tools to easily recreate the enchanting sound of the harp in their music.
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