Mac and Music News
Through Saturday October 29, 2011
Sep 15 - 06:11 PM | Music Software > Roland |
You can change panning positions and levels to individual instruments within a stereo mix, for example, and add effects to each element as desired. You can even independently adjust the pitch and speed of the playback, realized with VariPhrase.
Compatible with Mac and Windows
Simplified version available for Apple iPad
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Sep 15 - 02:37 PM | Virtual Instrument > Sidsonic |
All samples are recorded in 24 bit, 96 khz and mapped in the following formats:
Kontakt, EXS24, Reason NNXT, Structure (Kontakt and EXS24 are compatible with Ableton)
- Complete - 14 Sample Kits, 1530 MB, samples
- one seconds sustain - 3 Sample Kits, 188 MB, samples
- two seconds sustain - 4 Sample Kits, 355 MB, samples
- four seconds sustain - 7 Sample Kits, 1040 MB, samples
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Sep 15 - 11:50 AM | Computer Hardware > Avid |
Featured high quality mic preamps, phantom power, 20dB pads, instrument input and headphone output,
- 24-bit/96 kHz
- 4-input/6-output
- 2 high-quality mic/line combo preamps (rear panel)
- 20 dB pad on each preamp
- Phantom power
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Sep 15 - 09:27 AM | Computer Hardware > Focusrite |
The front panel Neutrik combination input can be used to connect line and instrument level signals as well as microphones.Unique halo signal indicators let you know that you've got a good signal level for recording. The included Scarlett Plug-In suite provides effects compatible with all major DAWs; so whether you're using GarageBand, Pro Tools 9, Cubase, Logic or the included Ableton Live Lite...
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Sep 14 - 04:03 PM | Plug-ins > DMG Audio |
Some features:
- low CPU usage for high instance counts.
- Generates super-high-quality prototypes. Clear undistorted top.
- Linear phase mode for mastering and special channels
- 32 bands of EQ, Q 0.1->50, +/-36dB range
- Each band can be Peak, HPF, LPF, High Shelf, Low Shelf or Notch
- Each bank can process Mid, Side or the full stereo image
- Fully parametric filters (high and low-pass), 6/12/18/24/30/36/42/48db/oct.
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