The long awaited D50 library for Structure, LE and FREE over 2gigs high quality samples to create the ultimate replica of the Roland D50 synth. The Roland D50 was a landmark synth which first hit the streets in 1987, it was based on the combination of PCM samples and Linear Algorithmic Synthesis (LAS).

The D50 was the first synth to incorporate built in digital reverb. There wasn't a track in the 1980s that didn't include the Roland D50.

Steinberg announces the release of four VST Sound Loop Sets for electronic music aficionados. For these new products, Steinberg has collaborated with the award-winning sound design company Sample Magic to compile a best-of collection of their "zeitgeist-surfing" pool of sounds.

Producer, DJ and sound designer Sharooz, who remixed the likes of Gossip, Moby and Kings of Leon to name a few, was the one in charge of recording the sounds for these expansion packs. He created an electrifying and truly inspiring sound collection for high-quality music productions ranging from minimal to ambient and prog house to electro.

The Avid Scorch app transforms your iPad mobile device into an interactive music stand, score library, and sheet music store. With this powerful app, viewing beautiful scores is just the beginning. Thanks to the award-winning Sibelius engine, Scorch generates true, interactive notation.

Easily learn songs or adapt them to your instrument by transposing a score, changing instruments, or converting to and from guitar tab—then give a great performance using Music Stand mode.

About Loomer String
String is a virtual instrument that emulates the beautiful sound of the polyphonic string synthesizer.

Divide-Down Oscillators
String's authentic tone comes from its accurate emulation of the divide-down oscillator technology behind the lush ensemble synths of the 70s.
Contains VST (32-bit / 64-bit), RTAS, and Standalone executable versions.

Twentyseven steep band filter each with their own compressor unit allow for extremely detailed sound processing.

The multiband filter BARK takes the approach to match the reception characteristic of the final destination of all sound: the ear. The ear behaves as if it contains a bank of filters, each filter passing frequencies within the critical band. Two tones separated by more than a critical bandwidth are received by the ear independently. For this reason BARK contains a filter bank with 27 bandpass filters matching the critical bandwidth.