Mac and Music News
Through Thursday April 14, 2011
Feb 17 - 06:47 PM | Virtual Instrument > Producer Loops |
Producer Jeff Rhodes is back with the second installment in the Dance Glitch series. Using some of the same production techniques employed in our acclaimed Ambient Glitch series, 'Dance Glitch Vol 2' presents you with hundreds of small but useable building blocks suitable for a wide range of electronic music.
As with Dance Glitch Vol 1 the range of sounds encompasses conventional electronic sounds as well as more experimental and niché textures. Arpeggios, basslines, tribal percussion and warped effects provide you with more than enough material to let your imagination run wild.
This product includes loops that will work within the following genres: Dance, Glitch, Electro, Tech House, Trip Hop, Dubstep, Drum and Bass, Grime, Industrial, Techno and more.
As with Dance Glitch Vol 1 the range of sounds encompasses conventional electronic sounds as well as more experimental and niché textures. Arpeggios, basslines, tribal percussion and warped effects provide you with more than enough material to let your imagination run wild.
This product includes loops that will work within the following genres: Dance, Glitch, Electro, Tech House, Trip Hop, Dubstep, Drum and Bass, Grime, Industrial, Techno and more.
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Feb 17 - 01:36 PM | Virtual Instrument > Bluezone Corporation |
This brand new sample pack has a wide panel of loops and samples as the reversed kicks, distorted kicks, Hardcore drum samples, basslines, kick and Bass Loops, hardstyle drum loops, sound FX, synth sounds and many more.
Hardstyle Loops and Hardcore Samples Contents:
- Kick Loops
- No Kick Loops
- Percussion Loops
- Bass Loops
- Sound Effects
- Pads / Layers / Atmospheres
- Drum Hits / One-Shots
- Synth Sounds
Hardstyle Loops and Hardcore Samples Contents:
- Kick Loops
- No Kick Loops
- Percussion Loops
- Bass Loops
- Sound Effects
- Pads / Layers / Atmospheres
- Drum Hits / One-Shots
- Synth Sounds
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Feb 17 - 11:11 AM | Plug-ins > IK Multimedia |
Sporting the pure Fender tones that millions of guitarists know and love, AmpliTube Fender offers the same famous tones for your iPhone and iPad, developed in close cooperation with the tone gurus at Fender to ensure the authenticity of the sounds. Using technology from the award-winning desktop version of IK Multimedia's AmpliTube Fender for Mac/PC, the AmpliTube Fender apps for iPhone and iPad each offer 5 Fender amp models - the '65 Deluxe Reverb, the Super-Sonic, the '65 Twin Reverb, the '59 Bassman LTD and the Pro Junior, and 6 Fender stompbox models - Tape Delay, Compressor, the Fender Blender, Phaser, Overdrive and Noise Filter.
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Feb 16 - 07:40 PM | Virtual Instrument > FXpansion |
FXpansion presents BFD Remix, a Geist Expander that provides affordable, high-quality acoustic drum samples, kits, engines and patterns ready to use in Geist, the next-generation sampling beatbox.
BFD Remix combines pristine acoustic sounds with fat-sounding FX treatments within Geist to provide a versatile set of drum sounds that range from subtle kits to cutting edge, aggressive sounds that tear through a mix.
The samples in BFD Remix can also be used in any software that supports WAV and REX2 format samples.
BFD Remix combines pristine acoustic sounds with fat-sounding FX treatments within Geist to provide a versatile set of drum sounds that range from subtle kits to cutting edge, aggressive sounds that tear through a mix.
The samples in BFD Remix can also be used in any software that supports WAV and REX2 format samples.
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Feb 16 - 04:31 PM | Virtual Instrument > Sonokinetic |
The electro mechanical piano has been sampled over and over, so why do it again? One reason is because each one has its own specific sound, and this one, the Mark 2, has been overlooked by many other companies, while it has a distinctive sound that especially comes to life in soulful ballads, but also holds its own in more upbeat music styles.
Another reason is that, for all the work that's has been put into recreating this kind of instrument, playing the real thing always tickles us in a way that the sampled counterpart just doesn't. So what is the big differentiator? We think much lies in the imperfection of a real instrument…and that's what we tried to capture in this sampled EMP.
Another reason is that, for all the work that's has been put into recreating this kind of instrument, playing the real thing always tickles us in a way that the sampled counterpart just doesn't. So what is the big differentiator? We think much lies in the imperfection of a real instrument…and that's what we tried to capture in this sampled EMP.
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