Industrial Radio announced that the new Standard Midi Bass 4 is now available to order. The Standard Midi Bass 4 provides bassists the opportunity to plug into the latest and greatest of hardware and software synthesizers and samplers. It's unique fret-sensing neck and multi-sensor approach to MIDI conversion provides industry-leading, low-latency MIDI tracking perfect for both the studio and live environments.

With the Standard Midi Bass 4 bassists can play synth bass lines live, plug into vintage analogue synths, harness their experience on bass in a MIDI recording environment, explore new sonic possibilities and more.

As well as being an awesome MIDI controller the Standard Midi Bass 4 is a real bass guitar. The Standard Midi Bass 4 combines classic bass design and quality constru ...

New to Focusrite's renowned ISA range of pro audio hardware is the ISA428 MkII, a premium four-channel mic preamp supporting an optional eight-channel A-D converter. The ISA428 MkII supersedes the existing ISA428 and will be available at a much more affordable price.

The ISA428 MkII features four of Focusrite's classic ISA preamps, originally developed for the legendary Forté console. It supports the same professional eight-channel A-D converter option used with the ISA828. The A-D converter accepts four line inputs in addition to the signals passing through the main channels of the ISA428 MkII, creating eight high-quality digital streams with a superb 122dB dynamic range. Thanks to its convenient 25-pin D-Type connector, the A-D converter option integrates seamlessly with most digital ...

Apogee Electronics introduces Symphony I/O, a multi-channel professional audio interface available with next-generation sound quality, Logic and Pro Tools compatibility and total I/O flexibility. Symphony I/O's base chassis can accommodate up to 2 I/O modules, creating any combination of analog and digital I/O with USB 2.0, Symphony and Avid's Pro Tools connectivity. The new Maestro 2 offers integral control of Symphony I/O with clean and clear software interface that makes workflow easy by removing the guesswork from routing, mic pre adjustment, input and output calibration and hardware control. Lastly, connect Symphony I/O to the Symphony 64 PCI or Symphony Mobile Express/34 card for ultra low latency with Apple Logic, and all Apple Core Audio applications.

MOTU has released DP Control, a free app now available from the Apple app store that allows Digital Performer users to control DP over a WiFi network using their iPhone, iPad or third-generation iPod Touch. Built specifically for use with Digital Performer (Version 7.2 or later), DP Control gives users easy access to the most important transport and mixer functions for tracking, mixing, and live performance. Designed with large, touch-friendly buttons and other UI elements, DP Control works in both landscape and portrait orientations.

Wireless, multi-touch mixing with Digital Performer is now a reality. Users can operate multiple on-screen Mixing Board faders simultaneously with several fingers. For two-handed mixing, users can turn their iPad sideways and mix with fingers from both han ...

Keith McMillen Instruments, an innovator of creative technology for string instruments, announced the formation of the StringPort Developer Program, which will provide software synthesizer developers with documentation and sample source code to easily develop StringPort versions of their software synthesizers.

At the core of the documentation is the release of the Acoustic Instrument Message (AIM) Specification. Acoustic Instrument Message (AIM) is a spectral descriptor language for any acoustic instrument. It is an open, license free specification, which solves most of the problems associated with the keyboard model for synthesis control. AIM can be sent over MIDI, OSC, UDP, or any transport layer.

AIM, developed by KMI, communicates performance data from acoustic instruments such as guitars and violins to software synthesizers within StringPort applications or running within a plug-in host. AIM provides a level expressiveness never before realized with MIDI.