Sonic Timeworks has announced the release of the remade Equalizer V1 plug-in, now available for Windows VST 2.4 32- and 64-bit, Mac OS X VST 2.4 32-bit and Mac OS X AU 32- and 64-bit. There is an introductory offer of $99 until January 15th, 2011, and current DirectX customers can upgrade for $39. A fully functional 14-day demo is available.
Equalizer V1 is a remake of the classic Sonic Timeworks plug-in from around the beginning of this millennia, offering a unique analogue-ish design. Unlike most other digital eq's the frequency response does not go towards zero dB when approaching half the sample rate ("Vintage" algorithm only). This is achieved without the use of oversampling.
Equalizer V1 has two algorithms, six bands (two of which are switchable between shelf and bell curves), a low-cut, and a high-cut filter. The interface is divided into two pages, the first having all the controls in a classic setup with sliders, and the second having an EQ response curve laid on top of a frequency analyzer.

PreSonus has released the first dedicated wireless control software for a small-format digital console: StudioLive Remote software for the Apple iPad®. At last, you can have wireless remote control of any PreSonus StudioLive-series digital mixer's channels, auxes, effects, subs, Fat Channel processors, and more. Not only can these functions be controlled from anywhere in a venue by the front-of-house sound person, but custom aux mixes can be simultaneously adjusted by any performer with an iPad.
StudioLive Remote is a true iPad app, not a port. It provides multiple views of the key StudioLive mixer controls. The Overview displays the most-used parameters, such as channel levels, mutes, panning, EQ curves, and more for multiple channels at once. Click for a close-up view of Fat Channel processing,
Available from the next winter Namm

With 140 audio loops in three different formats (that's 420 audio files) and the full MIDI sequences, you can arrange, re-arrange, remix and replace any instrument with any virtual instrument that your DAW provides. Just drag and drop the MIDI files for each arrangement into a midi track in your DAW (Ableton, Logic, Cubase, Reason etc) and you'll see the raw midi sequences ready for you to play with. Not interested in MIDI? That's OK, just drag the audio loops on to your audio tracks and start putting together your arrangement. We even included fully mixed audio examples of what you can do when you put it all together. Tempos range from 91 bpm to 132 bpm.

Or the first time ever, the German manufacturer bundles hardware and software products into two different packs, which will be available until the end of the year. Choices include hardware products to place in the signal path before or after your computer.

SPL offers a "Front End Pack" and a "Back End Pack." Each pack includes free licenses for some of SPL's own Analog Code® plug-ins. If you buy a Track One you get a "Front End Pack,"which includes the EQ Rangers and TwinTube Analog Code® plug-ins. If you go for the SPL 2Control instead, you get a Vitalizer® plug-in as part of the "Back End Pack."

Universal Audio today announced the release of the
long-awaited, Solid State Logic-authenticated, SSL E Series Channel Strip and G Series Bus Compressor plug-ins for the UAD-2 platform.
The SSL E Series Channel Strip plug-in
for UAD-2 is the result of Universal Audio's painstaking circuit emulation of the esteemed SSL 4000 console, complete with both the Type E "black knob" and "brown knob" four-band EQ — widely held to be the favorites in SSL's signal processing lineage. Other features include high and low cut filters, and independent Expander/Gate and
Compressor/Limiter.