Mac and Music News
Through Sunday January 30, 2011
Oct 27 - 05:04 PM | Virtual Instrument > Gmedia Music |
Features :
- 200+ total tape banks (sample sets), including :
. 45 brand-new tape banks not found in the original M-Tron.
. 19 tape banks from M-Tron virtual instrument, re-mastered at London's legendary Abbey Road Studios.
. Over 40 looped tape banks.
. Over 3.5GB of samples total.
- 700+ patches including many created by world-class recording artists and programmers.
- Up to 35 notes, each individually sampled.
- Dual layer and split keyboard operation.
- Programmable MIDI CC response via MIDI Learn.
- Controllable via MIDI controllers such as the M-Audio Axiom and Oxygen models.
- 29 parameters per layer including synth parameters :
. Vintage-style ensemble and delay effects.
. Low-pass, band-pass and high-pass resonant filter section.
. Tape reverse.
. Tape half speed.
- Dynamic keyboard control, including filter aftertouch.
- Supports standalone, RTAS and VST on Windows XP/SP2, Vista 32, Vista 64.
- Supports standalone, RTAS, AU and VST on OSX 10.4.x, OSX 10.5.x.
The M-Tron Pro virtual instrument will be available today with an MSRP of $199.95 / €139 / £109 (excl. VAT). Upgrades will be available for existing M-Tron users for €59 (excl. VAT) via the GForce Website.
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Oct 27 - 04:29 PM | Computer Hardware > Apogee Electronics |
Features Highlight :
- 64 channels of 24-bit 192kHz Digital I/O per card
- Up to 128 channels of I/O per Mac Pro
- Near zero latency performance
- Connects directly to Apogee's X-Series and Rosetta Series converters via the X-Symphony option card
- Apogee's VBus - virtual routing within a Core Audio application or between multiple applications.
- Apogee's SBus - 32 channel, 192kHz digital audio network between two Mac computers
- Apogee's Maestro Software for advanced control and rout ...
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Oct 27 - 03:38 PM | Audio Hardware > PreSonus |
Features :
- Class A vacuum tube microphone / instrument preamplifier
- Tube gain and tube drive
- Variable VCA compressor (threshold, ratio, attack, release, make up gain, auto, soft)
- Three-band parametric EQ
- Precision analog VU meter for gain reduction and output
- EQ Pre/Post compressor switch
- 80Hz high pass filter
- 20dB pad
- Phase invert
- Rugged metal chassis
- High headroom
- Ultra low noise design
The Studio Channel is available now and is priced at MSRP $359 (street price $299).
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Oct 27 - 10:47 AM | Plug-ins > Expert Sleepers |
Features :
- Augustus Loop's GUI is now fully skinnable and scriptable.
- MIDI behaviour is now scriptable.
- VST version now receives MIDI.
- Added Record Offset feature.
- Added waveform display.
- The 'Max Delay Time' parameter now has a smaller minimum value (1.0 seconds) and is not rounded to the nearest 10 seconds.
- Added Tape Read Mode parameter.
- The Freeze Loop function is much improved.
- A small crossfade is now applied when activating Clear Loop, and when Clear Loop ends.
- The Input Level parameter is now protected against sudden changes, which previously could result in audio artefacts. In particular this makes the Punch In/Out features more usable.
- A small crossfade is now applied when activating Tap Record.
- Added a new mode for the Freeze Loop function, "Freeze Current".
- Added OSC support.
- Added 'Sync Group' feature.
- Added new 'Tape Sim' section.
- Added factory presets.
- Fixed a bug that could cause Digital Mode to not engage correctly.
Augustus Loop v2.0 is available now for Mac (AU/VST) and PC (VST). It costs $49 and a registration allows you to install the plug-in on up to three computers at once. v2.0 is a $20 upgrade from v1.5 or higher; it is a $29 upgrade from previous versions.
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Oct 25 - 12:47 PM | Audio Hardware > Schoeps Microphones |
The MK 22 has been developed for use as a spot microphone. It unites the strengths of the MK 4 and MK 21 capsules. Its directionality is only slightly less than that of the MK 4 cardioid, while its sonic character is reminiscent of the MK 21 wide cardioid. Its directivity is essentially constant throughout the frequency range. Its inherent low-frequency response is somewhat more pronounced than that of the cardioid, while proximity effect is somewhat less.
The "Open Cardioid" directional pattern, occupying a point on the spectrum between the wide cardioid and classic cardioid patterns, was developed by SCHOEPSin 2008. The response is -5 dB at 90° and there is 16 dB suppression of rear-incident sound. It is in essence a variant cardioid which balances a very natural sound quality with a good degree of directionality.
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