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Mac and Music News

Through Monday May 11, 2009
Mar 9 - 01:47 PM, by Nantho Computer Hardware > Muse Research
Computer Hardware : Muse Research Receptor 2 now shipping - macmusicMuse Research has announced that the Receptor 2 is now shipping.

The Receptor 2 uses a single-core processor and a 250GB SATA 2 hard drive and provides significantly more performance than the previous generation. Additionally, it has a sleek, new look with a deep blue front panel, LCD, and blue power LED. The single core AMD processor and high speed DDR-2 RAM of this new second generation of Receptor provide performance that is similar to the previous generation's top-of-the line with a MAP price of $1999. Note thatthe unit also includes $700 worth of sounds in the form of the Univers Sons Plugsound BOX pre-installed and ready to use.
Mar 9 - 11:29 AM, by Nantho Plug-ins > Togu Audio Line
Plug-ins : Togu Audio Line TAL-TiltEq - macmusicTogu Audio Line has released a new free VST plug-in called TAL-TiltEq.

TAL-TiltEq is especially designed after some tilt eq's from the 70's. This type of eq allows to adjust the audio material without changing the character of a sound to much. It's an easy way to make an audio signal sound darker or brighter with only one knob. The bass lift knob is a special addition that boosts or attenuates bass frequencies below 300Hz.

Features :

- 8 dB low / high shelf filter.
- 12 dB bass lift filter at 300 Hz.
- Variable center frequency (100 - 10'000Hz).
- Adjustable bandwidth (q: 0.1 to 2.0).
- Volume knob.
- On/Off switch.
- Very easy to use.
- Low CPU.

TAL-TiltEq is available for both Mac OS X and Windows as a free VST plug-in.
Mar 9 - 10:57 AM, by Nantho Plug-ins > Mathew Lane
Plug-ins : Mathew Lane DrMS v2.0 - macmusicMathew Lane releases version 2 of the DrMS spatial processor plug-in. Build on a completely new internal algorithm, this version allows to create wider and deeper soundstages while, of course, maintaining the excellent mono compatibility DrMS is known for.

DrMS v2.0 is familiar in operation to v1.1, with some cosmetic enhancements made to the GUI. The new algorithm however makes it easier and faster to achieve the desired results, with great sounds already when using just the 4 central green rotaries.

DrMS v2.0 also features a new installer, making installation a breeze.

Features :

- Completely new & improved soundengine
- Enhanced GUI
- MS encoding & decoding
- Spatial audio processing: Zoom in, add Depth, change Width or any combination and more
- Resonant HPF, TiltEQ and ...
Mar 7 - 02:19 PM, by Nantho Virtual Instrument > Ueberschall
Virtual Instrument : Ueberschall Urbanic II - macmusicUeberschall unveils Urbanic II, the follow-up to their well known Urbanic collection. This massive release includes 30 Construction Kits providing 3.8 GB of full-range HipHop music as well as surrounding styles such as Crunk R&B and Dancehall.

All Construction Kits are filled with samples, beats, guitars, basslines, synths, pads, fx sounds and a whole bunch of drum- and Percussion-sounds. Every sample on Urbanic II is labeled with BPM information and root key (key signatures). Furthermore, every kit contains 3 sub-kits and a drum-shots folder, material is organized as follows :

• Main Kit - Includes the main theme, sounds and phrases
• Variation Kit - Provides an alternative track and phrases which are used to add contrast to the main theme
• Intro/Outro Kit - Here you can find the matching intro/outro track for the overall kit, along with it's individual parts
• Drum Shots - The single-shots are centralized in this folder, making it easy to find all percussive sounds used to make the kit.

This structure makes it easy to select the correct vibe needed for your track. Plus the integrated Elastik player allows you to fit the samples to your individual needs. The Content is geared toward Urban Music producers looking for authentic club sounds.

Urbanic II was made from well-established music industry professionals: Beneluxus, Drastic and Marc Steinmeier. This team has worked produced and remixed for well known artists such as, LL Cool J, Bootsy Collins, Alica Keys, DJ Tomekk and Eminem to name but a few.

Urbanic II is available now for Mac OS X and Windows in VST, AU and RTAS formats at a retail price of €99.
Mar 7 - 12:47 PM, by killingjoke Virtual Instrument > Mark Of The Unicorn
Virtual Instrument : MOTU BPM v1.01 - macmusicMOTU announces that BPM version 1.01 is now available as a free, downloadable update for all registered BPM users. This is not just a "maintenance update". Version 1.01 is loaded with significant new features, including the ability create slices in audio files that don't have them yet, plus the ability to drag and drop slice loops onto a pad bank to automatically load loop slices into the pads.

In addition to many optimizations and enhancements "under the hood", here is a brief overview of the new features in BPM version 1.0.1 :

- Loading slice loops into banks : you can now drag & drop a slice loop onto a bank to automatically load individual slices onto the bank's 16 pads.
- Slicing loops : you can now create slices in audio files that do not yet have slices. Using new controls in BPM's Clip window, you can slice by transient or by beat grid, then save or even export the individual slices. You can also automatically slice loops when loading them into a rack part.
- Importing multiple samples : you can now drag & drop multiple samples to import them, either into separate pads or as layers onto a single pad.
- Pad templates : you can now load and save MIDI note mapping templates for BPM's sixteen pads. Factory templates for popular 3rd-party pad controllers are provided, including the Akai MPD16, Akai MPD32, KORG padKONTROL, and the M-Audio Trigger Finger.
- Mono sampling : BPMSampler is now available as both a mono and stereo plug-in, allowing you to sample external sources in either mono or stereo.
- Saving performances with samples : there is a new command that allows you to save an entire performance, together with all associated samples, to create a self-contained snapshot of everything in the performance.
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