Alesis announces M1 Active 520 USB studio monitors with USB audio connectivity.

M1Active 520 USB is a pair of active, bi-amplified, two-way reference monitors that faithfully reproduce frequencies from 20,000 Hz all the way down to 56 Hz, covering nearly all frequencies audible to human ears. Engineers can send audio directly from their DAW via USB to the speakers for extremely low noise, low-distortion signal flow.

The M1Active 520 USB monitors are designed around a five-inch polypropylene low-frequency driver for full, smooth response in the low end and a one-inch silk dome high-frequency driver for absolute clarity in the highs. The low-resonance bass-reflex cabinet features beveled edges to reduce edge diffraction and a tuned port for bass extension. M1Active 520 USB's bi-amplified design delivers 50W to the woofer and 25W to the tweeter. The monitors are magnetically shielded so studios can place them near computer screens and hard drives without concern.

When multitasking, engineers will appreciate the M1Active 520 USB's large, front-panel, bi-color display that indicates presence of signal in blue and clipping in red for instant feedback on system status.

In addition to USB playback capability, M1Active 520 USBs boast a pair of TRS-balanced 1/4" inputs, enabling them to be used as a high-quality computer audio interface. Users can connect a stereo source or two mono sources including a mixer, keyboard, sampler or tape deck and record directly to their computer through the speakers.

M-Audio has introduced a new series of USB MIDI keyboard controllers designed for professional musicians.

Available in 25-, 49- and 61-key models, the Axiom Pro series offers easy software integration to digital audio workstations (DAW) including Pro Tools(R), Cubase, Logic and Reason — as a result of M-Audio's HyperControl(TM) technology, which automatically maps keyboard controls to commonly accessed parameters in software instruments and DAWs. The constant two-way link with the host DAW means that the Axiom Pro series keyboards are always in sync with the software's active parameters. The intuitive graphic LCD constantly updates the current values, to ensure seamless editing and prevents parameter jumps—even when plug-ins are closed. Users can also easily toggle between Mixer and Instrument control modes, making the music creation process much more seamless.

Axiom Pro series keyboard controllers are also the first to combine MIDI control with ASCII keystrokes, allowing users to assign any button to send QWERTY key commands like cut/paste or undo directly to the host software. The controllers offer M-Audio's premium TruTouch semi-weighted keyboard action for a more tactile and responsive playing experience. They are also equipped with eight velocity-sensitive trigger pads with M-Audio's exclusive Trigger Finger technology for triggering loops and samples.

The Axiom Pro 49 is currently shipping and carries a MSRP of $599.95. The Axiom Pro 61 is expected to ship in the first quarter of 2009 and will carry a MSRP of $699.95. Pricing and availability for the Axiom Pro 25 will be announced at a later date.

Access Music is pleased to announce the immediate availability of the Virus TI2 series. The successor of their range of totally integrated synthesizers adds 25% more calculating power and sports a redesigned housing and front panel. Access also used new materials to bring down the weight of the keyboard versions. On the software side of things, a major feature update, OS3, will be available by the time you read this. The new operating system adds several new FX such as a Tape Delay, Frequency Shifter and several new Distortion algorithms along with a new feature called Character.

Character allows you to adjust the overall tone of a preset reminiscent of several vintage and well-known synthesizers. In addition you can emphasis certain aspects of the patch to allow it to cut better through the mix, or fade it into the background with an extra-wide stereo field. The new distortions were built from scratch and feature an extreme dynamic range along with sophisticated controls to tailor the sound to your specific needs. They can add everything from warm, tube-like overtones to complete sonic deconstruction more reminiscent of circuit-bending. The new algorithms also include a revamped bit and sampling-rate reduction, allowing you to change the quality and cutoff point with precise, continuously variable control.

The stereo Frequency Shifter and the new Ring Modulator are state of the art algorithms modelled with old '70s stomp boxes in mind.

The Tape Delay goes way beyond the possibilities of the real Tape Delays in the '60s and '70s. It smoothly syncs to tempo, lets you decide if a Doppler effect takes place when changing the tempo, and even switching the delay time between presets is all smooth, making it perfect for performers. Last but not least, a modification to the main "VCA" algorithm enables OS3 users to design gating FX known from electro and minimal influenced music.

Virus Control has received a completely redesigned user-interface thanks to various improvement requests over the last years. The plug-in now features a side chain input allowing you to mangle audio from a sequencer track with the FX and sound engine of the hardware Virus (for selected hosts only).

The best news, however, is that OS3 is compatible with all legacy Virus TIs and the Virus TI Snow, thus enabling Access' vast user base to update their existing instruments with all the new software features totally free of charge.

OS3 will be available immediately. The Virus TI2, which comes in the following flavours will also be available shortly after NAMM.

Virus TI2 Desktop 19" desktop synthesizer with wooden front application.
Virus TI2 Keyboard 61 keys (semi weighted) keyboard model with wooden side panels.
Virus TI2 Polar 37 keys (synth action) keyboard model with alloy and wooden side panels.

Alesis announces that TapeLink USB, a digital-archiving cassette tape deck, is available now.

TapeLink USB is a dubbing and playback deck that connects directly to a computer via USB. The plug-and-play USB-audio interface requires no drivers for use with most computers. TapeLink USB's CD-quality 16-bit, 44.1 kHz audio output accurately captures tape recordings for secure digital archival. Normal and high-speed dubbing modes save time when copying music, while dynamic noise-reduction circuitry and Alesis' software suite assist in cleaning up aging tapes. TapeLink USB works with metal and CrO2 tapes and contains an LED level-meter for visual level reference. Full auto stop saves irreplaceable older tapes from breaking.

TapeLink USB comes with a software suite containing three applications. EZ Tape Converter makes transfer simple and convenient, Audacity audio-editing software enables musicians to edit their audio files once they've been transferred and BIAS SoundSoap professional noise-reduction software removes hiss, room noise, rumble, hum and other background noise.

TapeLink USB is available now from musical instrument and pro audio retailers at an MSRP of $299.99 and an estimated street price of $199.99.

Novation unveils the brand new FX Suite, its first independent collection of VST/AU plug-ins.

FX Suite provides five key effects from Novation's illustrious synth heritage, including signature effects derived from the legendary SuperNova II. The five independent VST/AU plug-ins include Chorus, Delay, Tremelo, Phaser and the famously flexible, powerful filter featuring overdrive. Each and every one of them offers a significant upgrade from standard sequencer effects.

The Novation filter plug-in is perhaps the most sought-after effect of the five. Modelled on the filter section of Novation's legendary Supernova II synthesiser, this powerful effect has an array of features and a unique sound that sets it apart from any other filter on the market. An audio triggered envelope alongside fi ...