Roland announces Fantom-G, its latest workstation, with an advanced sound engine, ARX SuperNATURAL expansion bay, extra-large 8.5" wide TFT color LCD, new audio/MIDI recorder, 88-note Ivory Feel weighted keys (Fantom-G8), 76-note keys (Fantom-G7), and 61-note keys (Fantom-G6).

The Fantom-G's sound engine is driven by a new audio processor, with 16-part multi-timbre mode, up to 22 effect routings and that handles twice the wave-ROM capacity of its predecessor, made of Roland's world-famous SRX sounds. The Fantom-G serie has a new ARX expansion slot, that allows additional SuperNATURAL sound-sets and fully dedicated synth and effects engines to be added. Roland has introduced the first two, ARX-1 (Drums) and ARX-2 (Electric Piano).

The Fantom-G is the first Roland instrument to feature Roland's newly designed power sequencer, which provides 128 tracks (including 24 audio tracks) in a fully integrated audio/MIDI graphical environment.

TC Electronic announces Desktop Konnekt 6, an easy-to-use desktop FireWire audio interface with dedicated monitor control features including a tracking reverb, an ergonomic volume knob and a 3-mode high resolution meter for intuitive and instant control while recording.
The IMPACT mic preamp and the true Hi-Z inputs should ensure top-notch sound quality recordings of vocals and guitar.
Desktop Konnekt 6 will ship in March 2008 at a suggested retail price of EUR 249.

TC Electronic also announce that the Studio Konnekt 48 is now officially worldwide available.

Scarbee today announced Blue Bass, a sample library made for N.I. Kontakt 2 and Kontakt 3. Scarbee Blue Bass has been built to take advantage of the advanced scripting technology originally developed for the Black Bass.

Blue Bass was designed to be very easy to play live. Almost all articulations can be triggered without any keyswitches. Eg. legato playing triggers hammer-on and pull-off, legato playing with sustain pedal pressed triggers slides, fast legato playing triggers grace notes.

Features
• All four strings sampled, more than 4 000 samples and up to 9 velocity layers to capture the full timbre of the bass.
• Real-time playable – with the exception of cross hammering and trills all of the articulations in the list given further below can be triggered without the ne ...

After many years of development, Spectrasonics today previewed their brand new flagship virtual instrument Omnisphere®.
The revolutionary 'Power Synth' breaks completely new sonic ground by combining a wide variety of hybrid realtime synthesis techniques, an epic library of remarkable 'Psychoacoustic' sounds, and many innovative features that have never been seen before in any hardware or software synthesizer.
The new instrument is the first to be based on Spectrasonics' STEAM Engine, the company's newly developed core technology.
Omnisphere is set to be released September 15, 2008, the MSRP is $499 US.

Omnisphere will offer a host of hybrid synthesis and new control capabilities including Variable Waveshaping DSP synthesis, Granular synthesis, Timbre Shifting, FM synthesis, polyp ...

Steve Jobs has unveiled Apple's latest innovations at the Macworld 2008, January 16.
Time Capsule could be interesting for some of us musicians who don't want to use their Mac overloaded USB, FW or Ethernet ports.

But MacBook Air is not for us. No FW, no ExpressCard slot, no SuperDrive (so what if you want to install something ?), only one USB, etc.

It goes without saying : it's a beautiful machine, regarding design and technology challenge. But forget about making music with it.
But it's a beautiful machine...

Weren't we waiting for touch-screen monitors to control our DAWs and plugs ?