Abbey Road Plug-Ins has just announced the release of the Brilliance Pack, a new bundle which consists in three EQ plug-ins providing authentic emulations of vintage EMI 'presence' EQs.

Based on the original modules built in the 1960s, the plug-ins bring these classic EQs to the digital domain. The original RS127 and RS135 EQ boxes were custom-built by EMI technicians in the early 1960s to supplement the limited EQ on the REDD mixing consoles. They were the predominant outboard EQs at Abbey Road throughout the '60s and were used on many famous recordings during this period, including almost every album made by The Beatles.

The plug-ins were developed from original EMI circuit schematics, circuit simulation and digital modelling of vintage Abbey Road units. The plug-ins retain the operation and characteristics of the original hardware and essentially provide the complete range of presence EQs that were used at Abbey Road in the '60s.

Three plug-in modules are included :

- The RS127 Rack is modelled on the original rack-mount Brilliance Control.
- The RS135 recreates the 8kHz boost unit.
- The RS127 Box plug-in was created by modelling the standalone Brilliance Control with an EMI transformer used to connect it to modern consoles. The plug-in features an exaggerated response or 'transformer effect' at some settings, which is due to an interaction between the RS127 and the transformer.

The Brilliance Pack is available now in TDM, RTAS, AU and VST for Mac OS X and Windows at a price of $199. A demo version is also available.

Tascam has announced the avaibility of the SS-CDR1, a single-rackspace CD recorder which also features solid state recording to Compact Flash cards for maximum flexibility and recording times. Audio can be recorded to Compact Flash card and then transferred to CD or vice-versa, and the recorder features standard Tascam features such as automatic track increment, balanced XLR in and out and RS-232C control.

The SS-CDR1 has balanced and unbalanced analog I/O as well as S/PDIF digital I/O. The unit can be controlled with RS-232C, parallel or a wired remote control. Compact Flash cards up to 8GB can be installed for hours of recording time at MP3 or WAV file formats.

Let me introduce you to Breverb, a high quality reverberation plug-in for Mac and PC which features four different algorithms modeled after several popular and very classic hardware units.

"Breverb claims to model some of the industry's most acclaimed classic reverb hardware, and though they do not mention what exact devices they are I doubt I would be far off the mark to say that the name Lexicon would be right at the top of the list. In fact the sounds remind me very much of Lexicon's now defunct Lexiverb but without the heavy CPU hit that made it available only for digidesign TDM users – certainly not the case for Breverb."

Tascam unveils the TM-ST1 which is a stereo microphone with stereo pattern switching. The recordist can select between 90 and 120 degree pickup to capture more ambience or to reduce background noise. The mid-side design captures a wide stereo field while maintaining a solid center image.

It employs a back-electret condenser capsule for crisp response with a long battery life. The output cable terminates to a 3.5mm stereo jack for use with recorders like Tascam's DR-1. Also included with the microphone are a tabletop stand, wind screen and mic stand clip.

The TM-ST1 is available now at a retail price of $99.

MOTU has finally released Digital Performer 6 which is a a major upgrade to the company's flagship digital audio sequencer. DP 6 features a redesigned user interface, which includes the ability to zoom in the Track window.

Two new signal processing plug-ins are included: Pro Verb, a convolution reverb that MOTU says is very CPU efficient, and Masterworks Leveler, a dynamics processor that models the classic LA-2A. A new, and very flexible track comping feature is also included. It gives you plenty of control for comping takes, and it even lets you comp your comps.

DP 6 will also include support for Broadcast WAV files, which means your sequence's audio files no longer need to be in Sound Designer II format. Also included is support for Final Cut Pro XML files, allowing you easily edit your video's audio track in DP. Another key addition is the ability to burn CDs directly from DP.

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