John Keane, a prolific TV composer for such shows as the US CSI: Crime Scene Investigation, is interviewed today on the Native Instruments website as a frequent user of the German developer's products. Dig down and you'll see Mr. Keane is a full-time Mac user. He has also been interviewed by Emagic as a Logic user. You can check out Mr. Keane's record, as well, on his website. (Warning: incompatible with Apple Safari.) Hopefully Mr. Keane will join us on this site, too!

It's not the iTunes Music Store, but it's an event in the little world of electroacoustic and contemporary music : the Canadian Electroacoustic Community set up the SONUS project.

SONUS is an online listening library (jukebox) of electroacoustic works, electronic or contemporary music works. For the very first time, about 1000 contemporary music works in full time version, are available for free listening.

Native Instruments is now shipping the 1.1.1 update to FM7, its FM synthesis virtual instrument, with new Mac OS X support and cross-platform RTAS Pro Tools support on both Mac and PC. Like previous OS X releases from Native, full support for AudioUnits, RTAS, VST, and standalone operation with CoreMIDI and CoreAudio is included, so you can use FM7 on its own or in whatever host software you prefer. The update isn't free: Native is charging US$29 for the update as a download (US$59 bundled with FM7 Sounds Vol. 1), US$49 for a CD (US$79 with sounds bundle).

In september, a french tribunal judged that a locked CD with a anti-copy system (against audio piracy which make it inaudible with certain equipments), is affected by a hidden defect and must be refund.

Someone must have been anxious to get Cubase SX 2.0, the latest upgrade to the only remaining cross-platform MIDI/audio workstation, because Steinberg's website was dead in the water yesterday. The site is back up today, and the news is official: Cubase SX 2.0 is shipping. Here's a look at what's new.

Virtual signal routing capabilities make up some of the most interesting improvements to Cubase. Under the hood, version 2.0 has "true multi-channel" surround capabilities throughout, so that the entire signal path can hold six channels, not only in audio tracks but sends and inserts, as well. "Full latency" compensation promises to finally resolve timing issues introduced by effects and instruments. FX return channels now provide full rturn channels for each send effect, automatically, wi ...