DUBSTEP comprises 75 (with 600 variations) wobbly basslines,twisted soundscapes, and deep sub-basses — tightly-focused and highly usable dubstep sounds all, ranging from sparse minimalism to mashed-up mayhem, with much in-between, including squelchy synths, heavyweight drum sounds, plus punchy effects — perfect for builds, drops, and transitions. Leading sound designers (Andre Ettema, biomechanoid, Gareth L Devlin, Himalaya, Christian Kjeldsen, Bryan Lee, Stephan Romer, and Yuroun) deliver over 150MB of new sampled content, including comprehensive punchy drum kits, rich new pad sounds, reverberant soundscapes, and glitchy effects, categorised as follows: Bass (5 Distorted, 6 Sweep, 4 Sub, and 25 Wobble); Drums (4); Sound Effects (11); Soundscapes (12); and Synth (8). Crank up the tempo to 140bpm and let the inspiration flow forth!
Price: £25/€29/$35.

Blue Cat Audio has released an update of all its 27 audio plug-ins, including 8 freeware: with this update all the plug-ins are now available in 64-bit VST format on Mac, and this new version also brings new SSE 2 optimizations, as well as several bug fixes.

The upgrade is free for existing customers and can be downloaded from the same location as the previous version. Demo versions or free plug-ins are available for download on www.bluecataudio.com.

What's new:
- 64-bit VST support on Mac
- SSE 2 optimizations (an SSE-2 processor is now required for the Windows version).
- fixed keyboard focus stealing issue in Pro Tools and several other host applications (mainly on Mac).
- controls visibility is now persistent for several audio analysis plug-ins.

Although it has been known for many years that cabinet resonances and diffraction are the main causes of coloration in sound radiation, few manufacturers have been willing to address the difficulty of forming a rigid acoustic enclosure of such complex geometry.

By removing step changes in radiation impedance and virtually all internal vibration modes, the Egg has no spectral distortion other than the drivers themselves. These have been chosen for the best possible performance in their class and exhaustive testing has proved their reliability and accuracy.

LIBERIS is our next-generation choir library featuring a professional 45-piece multi-award winning Piedmont Children's Choir lead by famous choir conductor, Bob Geary from VOLTI. The library represents the most detailed sampling ever done of a high-end symphonic children's choir and the most ambitious release in the history of Tonehammer. LIBERIS allows you to create realistic sounding choir by using a variety of next-generation features, including true ensemble legato with speed control and legato for our poly-sustained chants. In addition the contains sustains from piano to forte, staccato with repetitions, marcato with sustains, BPM (host-synced) latin chants recorded at different speeds and velocity layers and a uncompromising effects section with +1000 effects ranging from basic consonant/vowels, clusters, sweeps, whispers, shouts, chirps, childrens songs, claps, snaps etc. In addition the library is recorded in 24 bit / 44.1khz with 3 (5.1) microphone positions, three different solo singers with poly-sustains and a gorgeous ambient section by Steve Tavaglione.

The Strip (ST1) is a complete and easy to use channel strip with a mic preamp, compressor and EQ - a perfect tool for the recording engineer, songwriter or producer on the go that needs a great sounding recording channel. The preamp is a transformerless design with up to 75 dB of ultra-clean amplification; enough to power low output ribbon and dynamic microphones. The high-impedance instrument input on the front is perfect for instruments like synthesizers; acoustic, electric and bass guitar.

The switchable high-pass filter removes unwanted low-frequency energy below 80 Hz.The EQ is a classic Baxandall design with two smooth-sounding shelving filters; the 100 Hz low-shelf filter is ideal for removing excessive bass energy or adding weight to the low-end; and the 12 kHz high-shelving filter perfect for adding some "air". Both filters outperform their digital equivalents (plug-ins) by sounding smoother and more analogue.