Akai announces their RPM8 reference production studio monitors specifically intended for use with the company's MPC music production workstations and production controllers.

RPM8 studio monitors are two-way, active, bi-amplified, nearfield loudspeakers intended for producers, recording engineers, remix artists, DJs and other musicians. The two-way monitors each feature an eight-inch woven-kevlar low-frequency driver with 80W RMS of continuous amplification for robust, full bass all the way down to 39 Hz. The monitors' high-frequency system consists of a one-inch silk-dome tweeter with 40W RMS of continuous amplification, mounted on a custom, functionally optimized waveguide for excellent control of directivity and reduction of unwanted early reflections.

RPM8 studio monitors contain ...

Akai Professional announces the LPD8 laptop pad controller and LPK25 laptop performance keyboard controller. The LPD8 and LPK25 will make their debut at Akai Professional's booth, number 400, at the Summer NAMM Show held at the Nashville Convention Center, July 17 — 19.

The LPD8 and LPK25 are USB-MIDI controllers for musicians, producers, DJs and other music creators. Each model is less than 13 inches across and weighs less than a pound to easily fit into a laptop case, backpack or messenger bag for extreme portability.

The LPD8 is based on Akai Professional's MPC line of iconic music product stations. While the smallest model, the MPC500 is quite portable, many producers prefer to work with software on their computer and the LPD8 gives their laptop the controls they prefer over a mouse and keyboard. The LPD8 has eight blue light-up pads that are velocity sensitive for programming rhythmic or melodic parts. The pads can also send program-change information to software. The LPD8 also has eight assignable Q-Link knobs to which users can assign virtually any parameters in their software for hands-on control.

The LPK25 is a scaled-down relative to the MPK series of keyboard performance controllers. The diminutive keyboard is made up of 25 miniature, velocity-sensitive keyboard keys with synth action. The LPK25 contains an arpeggiator, which steps through chords automatically, assisting musicians with creating quick melodic ideas. Sustain, octave up and down and tap tempo controls round out the LPK25's easy-to-learn layout.

Each controller works plug and play with Mac and PC and requires no software driver installation or wall power for operation. Both the LPD8 and LPK25 have four memory banks for programming and recalling settings appropriate to different software programs they use.

The LPD8 and LPK25 will be available from musical instrument and professional audio retailers Q3 2009.

Alesis announces the USB-MIDI Cable which is an handy cable that links MIDI instruments with computers via USB.

The USB-MIDI Cable is the latest addition to Alesis' AudioLink Series of problem-solving cables for musicians. The MIDI-to-USB cable has traditional male and female MIDI (DIN) connectors on one end and a USB connector on the other. Musicians can use the USB-MIDI Cable to control virtually any MIDI-compliant software using any hardware device with a MIDI output jack, such as a keyboard, drum pad or MPC.

The USB-MIDI Cable is class compliant for plug-and-play USB connectivity on Mac and PC, requiring no software-driver installation or external powering. Musicians can use the USB-MIDI Cable with virtually all music production, sequencing and recording software.

The USB-MIDI Cable will be available from musical instrument and professional audio retailers Q3 2009.

Akai announces the MPK61, the fourth model in the company's line of keyboard/MPC performance controllers. The MPK61 will make its debut at Akai Professional's booth, number 400, at the Summer NAMM Show held at the Nashville Convention Center, July 17 — 19.

The MPK61 is a keyboard performance MIDI controller that expands the popular MPK line. Each MPK controller combines a piano-style keybed with a bank of genuine Akai Professional MPC pads, assignable Q-Link controllers and some of the technologies from the icon MPC. Producers, performers and DJs will appreciate the MPK61's mix of 61 semi-weighted keys with aftertouch, 16 MPC pads with velocity and pressure sensitivity, 72 assignable Q-Link, MPC Note Repeat, MPC Swing and an arpeggiator. The MPK61's size is ideal for performers who need ...

With an engineering/mixing career spanning almost three decades, Chris Lord-Alge has worked alongside such artists as Green Day, U2, Tina Turner, James Brown, Nickelback, Rod Stewart, Santana, Steve Winwood, Celine Dion and many others. At the heart of his sound is a command of compression that gives each and every track he mixes its radio-ready punch. During the development process of CLA Classic Compressors, Lord-Alge worked closely with the Waves R&D team, resulting in impeccable models of four compressors considered true classics by audio engineers the world over.

CLA Classic Compressors consist of four plug-ins: the CLA-2A, the CLA-3A, the CLA-76 Blacky and the CLA-76 Bluey. These classic models grant users access to the same tools that Lord-Alge has used to help define hard-hitting rock and pop over the last several decades.