Logiciels Mac
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Sites (21-30 sur 52 résultats) | |
Bitnotic (22 janv. 2008 - 387 hits)
Développeur de VX-323, logiciel de synthèse vocale contrôlable par MIDI.
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Titanium Software ( 2 janv. 2009 - 386 hits)
Utilitaires pour Mac
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DUY EverPack (25 juin 2000 - 374 hits)
DUY EverPack is a native bundle of 5 plug-ins for RTAS, MAS, VST, AudioSuite and Premiere.
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Logic Studio Blog (16 juil. 2008 - 372 hits)
Un blog consacré à Logic Studio
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Arboretum Harmony (Arboretum) ( 8 août 2000 - 357 hits)
Arboretum Harmony is like a word processor for vocals, offering a new level of sound quality and groundbreaking flexibility in manipulating pitch and harmony. Arboretum's proprietary formant-based pitch shifting technology creates breathtaking lifelike harmonies from any vocal line. With Arboretum Harmony you'll fix pitches, create new vocal lines and arrange complex independent parts with a click of the mouse.
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Harmonic Sense (16 févr. 2008 - 341 hits)
éditeur de ChordMate, utilitaire pour guitariste
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Ray Gun Pro 3.0 (Arboretum) (12 mai 2001 - 335 hits)
Ray Gun 3.0 for Mac OSX with free HyperEngine-AV and WIndows XP DirectX. The new Ray Gun has all the fantastic noise reduction features of previous Ray Guns, plus an added "enhancement" section, through which you can equalize post NR! The enhancement section consists of bass booster for those old, dry mixes; a stereo spreader to open up thin recordings; and, a treble enhancer to bring back high transients without the noise!
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Trinity PCG (24 août 1999 - 335 hits)
Trinity PCG is a Macintosh (and Windows) librarian for the Korg Trinity synthesizer.
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Sampletank (ikmultimedia) (26 avril 2001 - 332 hits)
SampleTank combines for the first time a sophisticated sampler/synth engine with top-quality multisampled sounds, into a VST instrument. Tons of professional high-quality sounds, the same as you would find in superior hardware samplers only, are immediately at your disposal.
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MetaSynth (20 mai 2000 - 323 hits)
MetaSynth is the first synthesis and sound design software that gives you all the power of advanced computer graphics to explore infinite sonic possibilities. It combines sampling, wavetable, additive, subtractive, granular and frequency modulation techniques with the most intuitive means for visualizing audio information ever created.
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